I was at an Electronic store in NY called P.C. I never knew about your videos or seen any of your work before. I could not have done this part without the help of:Ĭlick here to read more about how Steve was able to make my floating head move so perfectly along with Jean-Claude Van Damme’s body. This year I decided to make a parody of Jean-Claude Van Damme’s viral Volvo commercial as my video intro. I spent 23 hours editing Pop Danthology 2013. I do spend the extra time, though, to carefully select video clips that are appropriate for all ages. All I really had to do was find the video clips matching the audio parts featured in Pop Danthology 2013 and then stretch or compress them by the same percentage that the audio parts were stretched/compressed. All it took was 1 hour of simple YouTube searches.Įditing the music video was so easy as well. Unlike the music portion of the mashup making process, it is so much easier to find the official music videos to all the songs used in Pop Danthology. Even while driving my car from one place to another, I examine all the volumes and frequencies of each individual audio part with a critical ear. It is also during this part of the mashup making process that the only music I listen to, on loop, is my work in progress.
WHATS THE SONG ON POP DANTHOLOGY 2015 AFTER FIRST LET ME FULL
A lot of that time, though, was spent just listening to my progress at full volume and dancing as if I was hearing it at a DJ concert. I spent a total of 114 hours arranging and mixing Pop Danthology 2013. This is the part I get to combine all the different sounds together to make new sounds. The fun part began only after investing 42 hours into this epic project (talk about delayed gratification, huh?). I spent a total of 9 hours planning and organizing Pop Danthology 2013.
I had to use a total of 11 tempo changes in Pop Danthology 2013. The tempos of all the music this year were all over the place too. I, therefore, had no choice but to use multiple key changes in this year’s Pop Danthology.
This key chart shows me that this year’s music, like many of the previous years’ music, is all over the place there is no one key being predominantly used. In order to determine what keys to use in Pop Danthology, I draw up a chart like the one below. Nevertheless, after 33 hours, I was able to compile a ready-to-mix list of 179 (73 vocal, 41 instrumental, 65 complete with both) music files.Ī lot of planning is required in the making of Pop Danthology because not all songs fit nicely into one stationary tempo and key (many other mashup artists do this but it distorts the sound quality and timbre of the original audio parts too much for my liking). This year, I felt that there was a shortage of high quality audio parts compared to previous years. I instead take the time to visit every “grocery store” in order to get ingredients of the highest quality. I am one “chef” who will not be deceived. Mashup artists such as myself, however, are “chefs” who live in a world of many deceitful grocery stores that mislabel their produce as “fresh” and “organic” when they really are far from those descriptions. I search all over the internet like a determined chef searches different markets and grocery stores for his ingredients. The first and least exciting part of making Pop Danthology is gathering all the different instrumental and acapella tracks, audio stems, and full songs. Below is a pie chart that shows the breakdown of all the work I did for Pop Danthology 2013. There is so much that goes into the production of Pop Danthologies. Ylvis – “The Fox (What Does The Fox Say?)”.Taylor Swift – “I Knew You Were Trouble”.T.I., Pharrell Williams – “Blurred Lines” Lana Del Rey – “Summertime Sadness (Cedric Gervais Remix)”.Majid Jordan – “Hold On, We’re Going Home” Avril Lavigne – “Here’s To Never Growing Up”.Skrillex, Birdy Nam Nam – “Wild For The Night” Trevor Guthrie – “This Is What It Feels Like” An anthology of various creative works arranged by Daniel Kim.įinally, after a total of 180 hours of work, I have finished the 2013 edition of my annual “Pop Danthology” music mix series.
0 kommentar(er)
